Top-10 new features of Cubase SX3
Audio Warp: Realtime Time Stretching and Pitch Shifting offer
extensive new audio editing and processing capabilities, including
ACID® File support: loops automatically adopt a project’s
tempo; audio files can follow tempo changes in realtime.
Intuitive Play Order Track for pattern-based arranging adds
a new level of creative music editing. Divide your song into
sections, and then re-arrange it on the fly. Compare alternative
versions of your song and then convert them back into a linear
form for mixdown and mastering.
New Inplace Editor supports ultra-fast direct MIDI event editing
from within the project page. Edit MIDI events in context with
audio or video.
New MIDI Device Maps / Panels support direct access to external
MIDI hardware with user-definable graphic editing panels. Import
VST Mixer Maps or create your own editing panels, even for the
Track Inspector or the mixer’s channel strip.
User-definable Workspaces (window layouts) help organizing
your desktop. Create and save a separate workspace for each
step of the production process. Switch Workspaces on the fly,
as if working on multiple computers or monitors.
Studio Connections “Total Recall” support (optional
integration of Yamaha’s Studio Manager 2). The first step
into a new dimension of software/hardware integration. This
modular editing system builds a powerful bridge between the
virtual and physical studio. Opening a project can recall an
entire studio setup within seconds.
External FX Plugins allow for direct integration of external
hardware effects processors into the VST audio mixer. Use your
favorite outboard gear just like plugins – including automatic
delay compensation.
Extended Freeze function for virtual instruments and audio
tracks with added flexibility and improved performance. Freeze
virtual instruments with or without insert effects. Then automatically
unload the instrument to free up RAM. Freeze audio tracks with
insert effects to free up even more CPU performance.
New part-based Volume Envelopes for direct control of dynamics.
Fix level problems on the fly without wasting automation tracks.
Then move events with their volume envelopes.
User-definable Color Coding for tracks and VST mixer channels
provides more clarity and better orientation especially in complex
projects.
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